From the best-known of his own vineyards, planted in 1983; east-facing; and at the southern edge of the Eola Hills, Wright's 2010 Pinot Noir Canary Hill heads with fungal and humus-like notes that persist all the way through an oddly opaque finish in which the bitter edge of dark berries in no way dissipates a sense of darkness and diffusion. There is a brooding and as such intriguing persistence here to be sure, allied to slightly drying tannin. Hopefully a future tasting will find it possessed of clearer and purer fruit character - and I've made allowances in my rating for the possibility of a temporarily weak showing (with apologies for simply not having found time to re-taste it prior to publishing my report) - but I won't attempt to speculate as to where this is headed. (I tasted a 2000 alongside that struck me as possessing considerable if interesting oxidative overtones and whose fruit I found largely dried out, though I'll refrain from extrapolating on the basis of four or five isolated older bottles of Wright Cellars wines I have tasted over the past several years.)
Louisville native Ken Wright has long since become one of the iconic and most influential figures of the Oregon wine scene, a go-to for countless winery start-ups as well as valuable projects to benefit the Willamette wine community. Wright's career evolved from one of negociant-winemaker (founder of Panther Creek) and farmer of other people's vines to that of vineyard owner. "It was twelve years before I bought my first vineyard," he notes, "because before that I was in the exploratory phase of trying to find the best sites in the valley." Today, in addition to the three vineyards he owns, Wright holds 15- to 30-year leases on five others, and 80% of the vines that supply him are farmed by his own extensive (and in places site-specific) team. Wright is passionately vocal on myriad aspects of Pinot production, but one he emphasized especially in our recent session was "nutrition-based farming," which he characterizes as "a whole nother level beyond biodynamics" focused on "the uptake of minerals," which he believes is especially critical in the Willamette to encouraging ideal ripeness. It's thus the soil's microbial life he nurtures, he says, in order to get at the vine, with annual block-by-block soil and tissue analyses employed to establish what's needed and what's been accomplished. Wright makes clear that he sees ripeness as reflecting optimal harnessing of the sun's energy in the form of sugar, but indicates that he considers the use of must concentrators a more than acceptable alternative to chaptalization if grapes don't reach an optimal level of sugar. I was left with an uneasy impression from most of Wright's recent line-up of ripeness to be sure, but variously allied to phenolic stridency; firm, at times rustic tannin; or opacity of flavors. Wright appears from my limited research and my conversations with him to be the source of a considerable consensus that, in his words "as a result of doing single vineyard bottlings for so long, a pattern has emerged that basalt sites " Dundee Hills, Eola-Amity Hills - generally tend to be more fruit-focused - (whether) red, blue, or black - and marine sediments (exhibit) more spicy and floral. And since these marine soils, mostly sandstone, are so dry, that triggers a hormonal response in the vine much earlier in the year to begin the process of ripening; where with (eroded basalt) volcanic soils there's more clay, more water-holding capacity, and so the vine remains vegetative longer. And for whatever reason - I don't quite understand that - we have higher acidity in the volcanics.- I don't share that consensus - I can't say that my admittedly limited experience even entitles me to judge it - but I wanted readers to be aware of it.
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